It's 80s Night at the Fuller Craft Museum in Brockton, Massachusetts, which today is opening its "Edges of Grace" exhibit on transgressive arts and crafts. As the museum's web site indicates, the premise of this show is that spirituality is not just confined to mainstream (read: conservative Christian) religion and morality.
"Erotic jewelry," "unorthodox religious icons," anti-war textiles and "deviant fur"--hey, what's not to like? At the most basic level, Edges of Grace makes a valuable point. Art, as Marshall McLuhan said, acts as a counter-environment: it is a disruptive technology that exposes the hidden effects of conventional experience. By taking us outside ourselves the avant garde at its best is supremely spiritual, helping us to transcend the mundane.

Yet Edges of Grace also has its weaknesses. The first is a marketing strategy that no one running a nonprofit museum should indulge: pitching admittedly "deviant" and "offensive" crafts to kids.
Yep, that's right: not only does Fuller describe itself as an "all ages" museum, but the museum has posted a Teacher Packet with recommended lesson plans for children in middle and high school. Even if you like avant garde art--and I'm a huge fan of the enterprise--encouraging twelve year olds to write essays on "Figure in Diaper and Glasses", to contemplate the inner grace of phallic jewelry and to emulate the shock art of the Guerrilla Girls is not exactly the smartest way to maintain community--or grant--support.
Another weakness of the exhibit has to do with the content of its transgressive message. Edges of Grace is replete with "uncommon," "offensive" and "unorthodox" points of view seldom heard today, such as Social Security Reform is Uncaring, Republicans are Racists, Businessmen are Banal, Bush's War isssszzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz

Um, sorry about that. Edges of Grace is so predictably transgressive that I must have fallen asleep. What the curators have yet to recognize--like so many in the bubble of today's avant garde--is that when art merely toes a party line, the transgressive becomes a boring routine.



You want transgressive grace? You want the subversion of hegemonic ideology? The best place to go for that is not a pretentious yawner of an art exhibit, but the marketplace of faith. For instance, consider the popular Pugster charms pictured above. The Tao, Jesus, Judaism, Wicca and free love--all viewpoints intermingle without judgment in a post-ironic pop melange. Offensive art is retro in a Pugster world.
